For two hours, we asked shoppers in the world’s largest MUJI store (無印良品) near Osaka, Japan to stop shopping, slow down, and re-connect with nature. Here’s what happened…
Seeing trees as sacred is not an anomaly, it’s the fact that our culture has somehow lost this fellowship that’s an anomaly. If trees are a keystone of our wellness, why not learn to listen to their voice? If we did, how might the things we hear transform the landscape of our city over time? What would a city look like if it were designed by trees?
An ecological art lab and pocket farm located in Osaka, Japan conceived and built by Patrick M. Lydon and Suhee Kang with help from donors and volunteers from Japan and around the world. The space hosts community workshops and exhibitions by an international cast of resident artists, all aimed at re-kindling our relationship with nature.
Our bi-weekly Environment in Review (EiR) is loaded with inspirations and solutions for social and ecological well-being, ranging from national initiatives to community projects.
On the anniversary of the bombing of Hiroshima, a small group of volunteers from Japan visit South Korea. This short film follows their activities, showing us both the far reaching effects of war, and the power of human compassion.
How do we revitalize dwindling communities? First, we learn about what they are and why they are important. This was a two-month community-based project that fused old-fashioned community interactions with web-based interactive media, allowing islanders and visitors to explore the hidden links between people, culture, and ecology on a small island in Japan’s Seto Inland Sea.
On the face, the installation is a simple call for visitors to take seed into the community to be planted. Yet it also asks us to reconsider the links between ourselves and the food we eat, and the role and power of a seed.
At one point in American history, most cities had extensive privately owned and operated streetcar systems. Where did they go, and is there still a need or hope for re-building transit oriented developments in a smart, forward-thinking way?
Takeshi Yamasaki quit his job at Goldman Sachs because, in his words “it was about buying at a low price and selling at a high price, and that’s it.” Find out why he took a gamble to make investments that are good for society, not just for investor’s bank accounts.